A graduate of the distinguished Design Academy in Eindhoven, Pierre Castignola is within the notion of patent on the planet of design. His analysis angle? A bit of furnishings recognized by numerous individuals on our planet: the great previous plastic chair. We might not know who originally designed this globally used chair, however there are various reinterpretations of it which might be at present patented. Remakes, which Castignola, in flip, has dismembered, reworked, and reassembled. The totally different sections of the seats have been then mixed with one another to create a collection of distinctive objects. Intriguing and surreal, these conceptual pieces are each radical and significant, inviting us to reconsider the ambiguous relationship between patent regulation and the freedom to create.
“The patent is part of the intellectual property system. It was created to guard inventors and creators from theft within the early days of capitalism. A method to create a protected surroundings to push creation. However is this nonetheless the case in the present day?” asks the young designer. “The system goes awry. The patent system does not benefit the creator but is utilized by giant corporations to make sure a monopoly of creation,” he emphasizes. What if copying and creation have been two intimately linked processes? What if copying was a human need repressed by our Western tradition? This is the reason Pierre Castignola has conceived “Copytopia,” from a place where the freedom of creation is regained.
https://www.pierrecastignola.com/
Lisa Agostini
L’article COPYTOPIA BY PIERRE CASTIGNOLA OR THE EXPLORATION OF THE TRADITIONAL WHITE PLASTIC CHAIR est apparu en premier sur Galerie Joseph.
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